Plus de Cubisme...Lithographed pamphlet printed on both sides on pink paper. 197 x 240 mm.1922.
Francis Picabia's two-sided broadside, issued as the supplemental insert to the single-issue journal La Pomme de Pins (February 25, 1922). This tract records Picabia’s public break from both institutional Dadaism and commercialized Cubism during the March 1922 Congrès de Paris. The recto features his typographic assault on both movements, while the verso showcases his typographie éclatée constellation, mapping independent creators with his own name positioned at the center alongside Marcel Duchamp, Pablo Picasso, Suzanne Duchamp, and Igor Stravinsky.
A scarce typographic document in fine condition. Although lacking the journal, the insert functions as a standalone monument of avant-garde design.
