{"product_id":"katherine-dreier","title":"Katherine DREIER","description":"\u003cp\u003e\u003ci style=\"mso-bidi-font-style: normal;\"\u003e\u003cspan style=\"font-family: 'Century Gothic','sans-serif';\"\u003eModern Art.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eSesqui Centennial\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-family: 'Century Gothic','sans-serif';\"\u003e.  24 pp.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eIllustrated with reproductions of works by Klee, Malevitch, Chagall, Kandinsky, Archipenko, etc.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e4to., 265 x 221 cm, bound in publisher’s wrappers designed on both sides by \u003cb style=\"mso-bidi-font-weight: normal;\"\u003eConstantin Alajalov\u003c\/b\u003e.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eNew York: \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003eSocieté Anonyme, 1926.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: 'Century Gothic','sans-serif'; mso-bidi-font-family: 'Century Gothic';\"\u003eA catalogue published by Katherine Dreier’s Societ\u003c\/span\u003e\u003cspan style=\"font-family: 'Century Gothic','sans-serif'; mso-bidi-language: AR-YE;\"\u003eé\u003c\/span\u003e\u003cspan style=\"font-family: 'Century Gothic','sans-serif'; mso-bidi-font-family: 'Century Gothic';\"\u003e Anonyme with a striking typographic design by Constantin Alajalov.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eAlajalov(1900-1987) was Russian born, however, from an Armenian family who immigrated to the United states in 1927.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eBest known as an illustrator for the New Yorker and Saturday Evening Post, the present example strays into the Avant-Garde, more appropriate in relation to Dreier’s ‘experimental museum’.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eSoon after, Alajalov was tapped—working in collaboration with Dreier—to design the cover of the exhibition catalogue for the monumental \u003ci\u003eInternational Exhibition of Modern Art\u003c\/i\u003e at the Brooklyn Museum later that year.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eSome minor wear, a near fine copy.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cspan style=\"font-family: 'Century Gothic','sans-serif'; mso-bidi-font-family: 'Century Gothic';\"\u003eThe Avant-Garde Applied\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-family: 'Century Gothic','sans-serif'; mso-bidi-font-family: 'Century Gothic';\"\u003e, L135.\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eGross, \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-family: 'Century Gothic','sans-serif'; mso-bidi-font-family: 'Century Gothic'; color: #232323;\"\u003eThe Societe Anonyme: Modernism for America\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-size: 13.5pt; line-height: 115%; font-family: 'Century Gothic','sans-serif'; mso-bidi-font-family: 'Century Gothic'; color: #232323;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Century Gothic','sans-serif'; mso-bidi-font-family: 'Century Gothic'; color: #232323;\"\u003ep. 62.\u003c\/span\u003e\u003cspan style=\"font-family: 'Century Gothic','sans-serif';\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Calab Rare Books","offers":[{"title":"Default Title","offer_id":51344648601921,"sku":null,"price":4500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0680\/3547\/7825\/files\/web_a98b37be-1260-4c0c-a23e-4336cc9e19fb.jpg?v=1769796983","url":"https:\/\/www.calabrarebooks.com\/products\/katherine-dreier","provider":"Calab Rare Books","version":"1.0","type":"link"}